Materialising the Code Inspired by the rhythmic flow of Semitic and Hebrew calligraphy, the sculptures emerge as three-dimensional translations of the totemic structures and spirits captured in monoprints and paintings. These works act as physical manifestations of the ‘code’—a layered system where each stage of the creative process informs the next. The first sculpture embodied the metaphor of fire, with burnt embers evoking the spirit in destruction, like a martyr consumed by flame. Ancient symbols and spiritual shapes are brought to life, translating the fluid forms of earlier works into tangible structures—a bridge between the intangible and the material, in an evolving dance between mediums, materialised into space.